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The Burning Court, by John Dickson Carr
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A classic tale combining hints of the supernatural and an 'impossible' murder. The death of Miles Despard looks simple enough. But then how does the housekeeper see a woman walk through a wall? And how could someone walk through a door that had been bricked up two hundred years ago? To all intents and purposes, it looks as if someone has come from the past to commit the murder, but could that really be the case? Surely not . . .
- Sales Rank: #2061629 in Books
- Published on: 2011-02-01
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .56" w x 5.06" l, .65 pounds
- Binding: Paperback
- 222 pages
- ISBN13: 9781780020037
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
About the Author
Born in 1906, John Dickson Carr was an American author of Golden Age 'British-style' detective stories. He published his first novel, It Walks by Night, in 1930 while studying in Paris to become a barrister. Shortly thereafter he settled in his wife's native England where he wrote prolifically, averaging four novels per year until the end of WWII. Well-known as a master of the locked-room mystery, Carr created eccentric sleuths to solve apparently impossible crimes. His two most popular series detectives were Dr. Fell, who debuted in Hag's Nook in 1933, and barrister Sir Henry Merrivale (published under the pseudonym of Carter Dickson), who first appeared in The Plague Court Murders (1934). Eventually, Carr left England and moved to South Carolina where he continued to write, publishing several more novels and contributing a regular column to Ellery Queen's Mystery Magazine. In his lifetime, Carr received the Mystery Writers of America's highest honor, the Grand Master Award, and was one of only two Americans ever admitted into the prestigious - but almost exclusively British - Detection Club. He died in 1977.�
Most helpful customer reviews
9 of 9 people found the following review helpful.
Among Carr's Best - Supernatural Elements Heighten Suspense
By Michael Wischmeyer
The title, The Burning Court (1937), derives from the infamous Burning Court that extracted confessions from alleged witches through the use of the wheel and fire during the reign of Louis XIV. However, the setting for this story is not France, but in a small community outside Philadelphia in the spring of 1929.
John Dickson Carr remains famous for his ingenious (perhaps some would say too ingenious) locked room mysteries. The Burning Court mystery offers not one, but two locked rooms: first, a woman in seventeenth century dress is seen walking through a wall where a now bricked-up door once existed, and second, a recently buried body goes missing from a securely sealed, underground crypt. The atmosphere is one of horror and dread. The two occurrences defy logical analysis.
The Burning Court is among the best stories of John Dickson Carr, even though it is atypical in that Carr's legendary investigators (Dr. Gideon Fell, Sir Henry Merrivale, and Henri Ben Colin) are all absent. The capable Captain Brennan of the Philadelphia Police Department and the eccentric author-amateur detective, Gaudan Cross, appear in only this one story.
The Burning Court is completely typical, however, in that the solution is well beyond the reach of the reader. Over fifty pages the section titled Summing-Up slowly unravels these two related locked room puzzles. This summation is actually a continuation of the story in that new, critical information is revealed that helps disperse the supernatural fog. Likewise, this apparently complicated murder is shown to be quite straight-forward, but coincidental events (as often happens in a Carr story, and sometimes in life too) obfuscated matters to a remarkable extent.
The Burning Court is a fascinating story that makes enjoyable reading. Nonetheless, it is always fair to ask whether a John Dickson Carr solution is really fair. Carr has a tendency to withhold key information essential to the solution. The solutions to the two locked room puzzles in my view strayed into that gray area separating fairness from unfairness. (In a footnote Carr does refer the reader to past pages, suggesting that he might have recognized that he overly disguised his clues.)
In a final twist Carr reveals a second solution, a solution within a solution, just when the reader thinks this mystery is finally solved. Four stars to The Burning Court.
5 of 5 people found the following review helpful.
Nothing would have prepared me for this one
By Jim Davis
This is very much like Carr's previous detective stories in *most* respects. The problems are perplexing and well thought out. The characters are believable and interesting, whether sympathetic or not. The suspense builds steadily making the book hard to put down (I managed, twice). The story is fast paced, taking place from Friday evening to Sunday afternoon, with flashbacks of previous events interspersed with much to-ing and fro-ing.
It also differs in a number of respects. It's set in America, not Britain. No Fell or Merrivale, so there is no real anchor for the reader to hold fast to. The supernatural, although present in other Carr books, is really overpowering here. Finally, the ending is controversial, and not to all tastes. It is also open to more than one interpretation. Carr was trying something different here. In my opinion, he largely succeeds.
There is also some historical background given, duly footnoted. Not having any of the quoted references to hand, I reread "The Slow Poisoners" chapter in MacKay's "Extraordinary Popular Delusions and the Madness of Crowds" to get the flavor of the history he was making use of.
I read the Kindle edition. Absolutely no issues to note. Usually there is something no matter how minor but everything here worked well. Linked table of contents, linked footnotes, everything.
All in all, creepier than the Carr books I've read hitherto but still quite enjoyable. Opinions differ on this book, but if you've enjoyed Carr's other works you have to read this one.
5 of 6 people found the following review helpful.
Spend an evening at the Burning Court
By Beauregard
Whew! This is John Dickson Carr at his puzzling, ingenious, and atmospheric best, with a sensational, stunning ending. The set-up sounds like a standard Carr plot: a wealthy man is murdered, apparently by poison in a locked room. Subsequently his body disappears from a seemingly impregnable family crypt. The author, the master of the locked-room mystery genre, surprises us, however, with different characters (his familiar series detectives do not appear), a different setting (rural Pennsylvania rather than Britain), and most importantly, a different type of logic in the case's solution. I don't want to be more specific than that so as not to spoil the conclusion.
The novel's main character is well-drawn and faces a very relateable and intense conflict over his efforts to keep his marriage together and both understand and protect his, he fears, troubled and in-trouble wife. The critic Julian Symons, in his idiosyncratic but insightful survey of crime fiction BLOODY MURDER, writes that Carr's fiction for the most part lacks "genuine feeling" (though he generally praises Carr highly). I can see how one could have this impression of Carr, because the coldly calculated puzzles are what one remembers most about his fiction, and are what he is justly most famous for. I think this criticism is off the mark, though, and this book illustrates why. We do vividly feel the narrator's love for his wife, growing panic at his quandry, and other moments of fear and exhilaration. Carr may be a master craftsman, but in this and many of his fine novels, his work is hardly cold or unfeeling.
I can see why some of the reviewers object both to the somewhat atypically dark tone of the ending as well as its internal logic, which are so different from those of most of the Carr/Dickson novels that his readers know and love. But to me that is rather the point--what is especially great about the author's books is that while we expect a certain type of characterization and plot development from him, sometimes he deliberately crosses us up! Carr was a master of the mystery novel form, and part of his mastery was his ability to play with readers' expectations and then subvert them, often with stunning effect, as in this classic, one-of-a-kind book.
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